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The satirically irreverent nuns of the Sisters of Perpetual Indulgence, formed in 1980 in San Fransisco, was one of the first organizations of drag queens to directly engage in political activism by defending local neighborhoods from anti-gay Christian protestors and denouncing then-Mayor Dianne Feinstien. Drag bars created hubs for the queer community within conservative spaces, and performance troupes like The Cockettes were known to satirize political events like the presidency of Richard Nixon. Young RuPaul, the host of reality-tv show “RuPaul’s Drag Race”, got his start at Atlanta drag bar “Weekends and Illusions,” and The Armorettes, the longest-running drag queen troupe in the U.S., was often featured at the Atlanta drag hub “The Armory” in the 1980s and 1990s. The Atlanta drag scene found its origin in bars known for their drag cabarets and competitions is the 1970s. In the south, drag served as a potent form of political and social protest within a conservative region. Atlanta’s first pride march was the following year, marking one of the earliest mass organization of LGBTQ+ people in the south. In a standing-room meeting at the New Morning Cafe near Emory University, the Georgia Gay Liberation Front was formed, which went on to protest Georgia’s anti-sodomy law and register LGBTQ+ voters across the state in 1970. Theater patrons were arrested for numerous charges, ranging from public indecency to drug possession, and in a news story the police chief confirmed that the raid was conducted to weed out “known homosexuals.” However, when the assault sparked outrage in the local queer community, a new liberation movement began to mobilize across the city. In 1969, a month after the Stonewall riots, the Ansley Mall Mini-Cinema in the Midtown neighborhood of Atlanta was raided during a screening of Andy Warhol’s “Lonesome Cowboys, ” a film known for featuring same-sex attraction. Drag in the south has played an integral part in queer resistance movements and creates an artistic medium in which individuals can explore intersecting racial and cultural identities in a region historically dominated by anti-LGBTQ+ policies.Ītlanta’s LGBTQ+ community in particular has long-lasting historical roots in early queer liberation movements. Yet within this antagonism, queer communities have learned to survive and thrive in the south, even while many parts of southern queer history remain untold. In fact, 21st century novelist Brandon Taylor describes this in relation to his own identity by writing, “ I thought that there was nothing worse than being gay and southern, that no two parts of a person could be more in conflict.” Southernness and queerness are often constructed in antagonism to one another.